The Love Waltz
Originally Liebeswalzer, this German operetta was the third talkie vehicle for the effervescent Lillian Harvey. The plot is a typical Graustarkian affair, with Princess Eva (Harvey) preparing to marry a duke whom she's never met. Getting cold feet, the duke ducks the wedding, persuading a handsome young commoner named Bobby (Willy Fritsch) to take his place. The wedding goes on as planned, with Eva never suspecting that her new hubby is a ringer. Eventually, the false duke confesses everything, leading to all sorts of intrigue before a happy ending can be realized. Love Waltz was simultaneously filmed in an English-language version, which posed no problem for the British-born Harvey but caused a few uncomfortable moments for her Teutonic co-stars (eventually, Willy Fritsch was replaced by John Batton, who'd played a bit role in the German version).
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Originally Liebeswalzer, this German operetta was the third talkie vehicle for the effervescent Lillian Harvey. The plot is a typical Graustarkian affair, with Princess Eva (Harvey) preparing to marry a duke whom she's never met. Getting cold feet, the duke ducks the wedding, persuading a handsome young commoner named Bobby (Willy Fritsch) to take his place. The wedding goes on as planned, with Eva never suspecting that her new hubby is a ringer. Eventually, the false duke confesses everything, leading to all sorts of intrigue before a happy ending can be realized. Love Waltz was simultaneously filmed in an English-language version, which posed no problem for the British-born Harvey but caused a few uncomfortable moments for her Teutonic co-stars (eventually, Willy Fritsch was replaced by John Batton, who'd played a bit role in the German version).
Rating:
Genre:Comedy
Written By:
In Theaters:
Box Office:
Runtime:70 minutes
Studio:UFA
Articles You May Like
Someone Tell Scarface That Cuba Is Not In Italy
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
The Grainy Landscape, Worn-Out Household, and Remembering the Past in 28 Years Later
How do zombie films shine new light in the post-Covid and post-Brexit era?
Margarita with a Straw (2014) Movie Review
Ryan Coogler's Sinners Turns Horror into History
Set against the backdrop of the Jim Crow era, the film offers layered representation.
Trauma Profiteering in Jordan Peele's 'Nope'
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.