
This is the erotic story of a couple's torrid relationships and the resulting breakup of their live-in arrangement. Dolly Lee and Lenny Morgan converge in a courtroom where Dolly fights to obtain "wifely" recognition. Their relationship is exposed in a series of vivid flashbacks. We see Lenny, a famous comic, living a star-studded life in a world of clubs, parties, and wild women, and Dolly, for her part, enjoys the attention of Lenny's manager. In court, it comes to this: How well does Dolly perform her wifely duties? Can she fulfill the needs of her seemingly insatiable husband? And if so, what does this entitle her to?
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
It’s 5:30am. The baby’s crying, but you need to finish prepping for your big pitch at work that morning. What do you do? You do the near impossible: both. That's what "Workin' Moms" is all about.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.