The zenith of Don McGlashan and Harry Sinclair's legendary Front Lawn collaborations, this iconic Kiwi short follows two men and one woman on a rainy night at a deserted bar. Pivoting on amnesia and woven together by music, two timeframes are seamlessly combined and a darkly humorous plot unfolds. The film had a wide international release (Ireland to Norway, Germany to the USA) and was a finalist in the inaugural American Film Festival.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
Earth and Blood is slow, but it still has it’s entertaining moments. If you’re into thrillers, or want to watch something new, then this film might be for you. As for me, Earth and Blood was tolerable enough.
