
Don Haworth's documentary film considers the water story so far, from the raindrop through a great industrial city to the sea, from the Victorians' first brash floodings of country valleys to the politics of meekness and the technology of electronic gadgets. It also follows the people who work with water - from the low paid but leisurely "reservoir keepers," to the engineers, tunnellers, maintenance men, and water testers, to the beleagured mobile water man, who it appears spends much of his day getting it in the ear from the good people of Manchester.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.