'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

Max Linder is an ardent suitor for the hand of a somewhat rampageous young lady. The gentle Max suffers sadly from her rough treatment, but at length he extracts the promise that she will marry him when he has learned to juggle with three balls.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?