
When suffering becomes intolerable, our primal instinct kicks in and a victim becomes a survivor, the weakest prey deemed expendable as an unfortunate but necessary part of collateral damage. A withdrawn boy and his rebellious stepsister fall in love and lust in the shadow of their abusive father. The tipping point is passed one day and all hell breaks loose, releasing angst-ridden teenage yearnings for freedom that results in hurt, damage and blood.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
Canvas illustrates the story of a grandfather who, after suffering the loss of his beloved, struggles to reclaim his love for painting.
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.