Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

Masked bandit The Lincoln Highwayman terrorizes motorists on California highways. His latest victims are a San Francisco banker and his family on their way to a party. While the masked highwayman holds them up at gun point and steals the women's jewels, the banker's daughter Marian (Lois Lee) finds herself strangely attracted to him. When the family finally arrives at the party, they tell the guests their tale. Secret Serviceman Steele takes an interest in their encounter and starts working on the case. Jimmy Clunder (William Russell) arrives late and while talking to Marian a locket falls out of his pocket. Marian recognizes it, but Clunder claims that he found it on the Lincoln Highway. She begins to suspect that he is the Lincoln Highwayman, as does Steele, Clunder's rival for Marian's love.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.