'Hatching' - Social Media as the Modern Cardboard World
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.

At a house party, a handsome man wanders around catching up with friends he has not seen for some years. A travel writer now based in Berlin, Andre appears to be living an exciting international life, and yet... something has drawn him back home to Santiago. As the night goes on, we realize that a tragedy binds this group - an event that was also the impetus for Andre's departure from Chile years ago. Moreover, there is someone at the party he goes to great lengths to avoid. But she is the very person he most needs to see.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
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Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
David Fincher is back in his playpen, with a dark and chilling thriller.