Tubi Halloween Picks
I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.

Once vibrant and full of life, the house now sits in quiet decay, its walls cracked and its windows clouded with dust. But within its aging frame, the memories of its former inhabitants still linger. The Life and Death of a Home tells the story of a house that remembers. As the years pass and nature reclaims it, the house reflects on the lives it sheltered—the laughter, the arguments, the quiet moments of solitude. With each creak of its floorboards and whisper of the wind through broken glass, the house becomes a silent storyteller, holding onto the essence of those who have come and gone. It’s a tale of time’s passage and the way places can keep the echoes of the past alive.
I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
The initial reaction and review of Netflix's newly released romantic comedy featuring Haley Lu Richardson and Ben Hardy. Spoilers included!
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.