When his 'liberal' wife dies, middle aged Jang Tae-yeon stays single for the sake of his only child. When he meets Hwang Yu-young, who is in her twenties, by chance, Tae-yeon gets remarried. Yu-young becomes a young housewife enjoying a well-to-do life. However, as the days go by, she grows more disgruntled by the generation gap between her and her husband. Tae-yeon gets more caught up with his friends. When he finds out of his wife's gradual transformation into becoming a 'liberal' wife, he dies from the shock. Yu-young regrets her husband's death and she realizes too late what it means to be a housewife.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
‘Babylon’ is an exhilarating journey one has to brace themselves for
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
