A young Japanese girl Rin-san comes to the pre-revolutionary Russia with a great and wonderful mission: to understand the mastery of iconography and attach Japan to the Russian Christian culture. She does not know that Russia stands on the verge of tragic change. Terrible years of atheism are coming. Envy of mediocre, intriguing nuns, the tragic love of a terrorist-regicide will turn Rin's life upside down...
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
