Mitch Downe From "Paranorman" Is Awesome Gay Representation
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.

Barney Thomson, awkward, diffident, Glasgow barber, lives a life of desperate mediocrity and his uninteresting life is about to go from 0 to 60 in five seconds, as he enters the grotesque and comically absurd world of the serial killer.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.