The Last Victim (2022)

Spirited inverts the tropes of the holiday musical genre to update an age-old tale for 2022. It's a paean to those who make grand spectacles possible.

You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.

I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.

The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.