Charles LeBlanc is a legendary movie star in his twilight years. A young drifter, Luke Harkins, is hired as his new groundskeeper. Coincidentally, Luke bears an uncanny resemblance to Charles' best friend and perennial co-star, the late Stuart Benedict. Luke soon discovers that Charles believes that he and Stuart are about to begin shooting their 1951 film noir classic "Gangsters Don't Go To Heaven."
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.
In 1977, Star Wars changed the world. It took the universe by storm, completely redefining everything everyone knew about movies. But then, in 1980, The Empire Strikes Back changed Star Wars. Sequels were not as well regarded back then as they are today.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
