After a large airliner crashes on a deserted island killing most of the passengers, two women, five men and a dog survive: an Eastern European, a Canadian lawyer, a French biologist, a prosperous Scottish financier, a young American, an extrovert Australian and a major in the British army. Hopes of rescue fade as the survivors come to realise that the world may have suffered a major disaster.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
