TIFF ‘22 Coverage: ‘My Policeman’
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.

The film is the screen adaptation of Chef Vikas Khanna's novel The Last Color, which follows the friendship between a young tight-rope walker and a widow named Noor in Banaras. The duo yearns to play with colors on the occasion of Holi, but Noor and the other widows are held back by tradition.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.