Blowing Up—A Perspective on Grief and a Lesson in Compassion
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?

A trapeze artist must decide between her lust for Sergio, the Happy Clown, or her affection for Javier, the Sad Clown, both of whom are deeply disturbed.
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
"Thunder Road" presents the grief that comes from a family member taking their own life.