'Feel The Beat'
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.

The Last Call follows a day in the life of Jonathan, an isolated man grappling with emotional and financial turmoil. Aimless and burdened by his own self-destructive behaviour, Jonathan drifts from place to place in search for meaning. Desperate for connection, he reaches out to one-time friend Pete, who once represented everything good in his life before their relationship fell apart. As the two open old wounds, certain truths and realities emerge regarding their past and unresolved pain. The Last Call is a film that explores friendship, regret and letting go of the past in an introspective and intimate manner.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents