What is Horror?
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
The Landlord (1970)
At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially, his intention is to evict the black tenants and convert the building into a posh flat. But Elgar is not one to be bound by yesterday's urges, and soon he has other thoughts on his mind.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially, his intention is to evict the black tenants and convert the building into a posh flat. But Elgar is not one to be bound by yesterday's urges, and soon he has other thoughts on his mind.
Rating:
Genre:Comedy, Drama
Written By:Bill Gunn
In Theaters:5/20/1970
Box Office:
Runtime:112 minutes
Studio:The Mirisch Company, Cartier Productions
Articles You May Like
"Jurassic World: Rebirth" (2025) Film Review-Stunning visuals deliver Summer spectacle, but.....
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
We Don’t Need Another Hero: The Bonkers Post-Apocalypse of “Beyond Thunderdome”
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.
Excessive and Annoying: The Overhyped Failure of 'Deadpool and Wolverine'
Wolverine carries Deadpool - literally and figuratively
'The Polar Express' (2004)
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
They/Them Falters As A Slasher But Is A Triumph For LGBTQ+ Representation
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.