Wake Up, Dead Man (Everyone's Included Until Somebody Gets Stabbed)
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.

Three strangers wake up suddenly on a descending elevator. To their horror, Clare, Ross, and Jeb soon realize that they are all karmically linked in a deeper way than meets the eye, and that this elevator symbolizes a passage to the afterlife. In a deeply haunting and claustrophobic examination of fate vs. destiny, the three discover that what is waiting on the other side of the elevator doors is created by their own beliefs.
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.