'American Fiction' Speaks Truth
American Fiction is a genuinely entertaining film with a few lessons.
The Labyrinth 1.0 (2017)
The Labyrinth 1.0 is a poetic film essay that cites writer and poet Brad Johnson’s poem “The Labyrinth,” published in the anthology Milking Black Bull (1995). Sourcing 16-mm surveillance footage, 16-mm 1970s tearoom porn, and structuralist film footage shot in North Philadelphia, the work visually explores the concept of the labyrinth space as a site for cruising and gesture-based desire. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
The Labyrinth 1.0 is a poetic film essay that cites writer and poet Brad Johnson’s poem “The Labyrinth,” published in the anthology Milking Black Bull (1995). Sourcing 16-mm surveillance footage, 16-mm 1970s tearoom porn, and structuralist film footage shot in North Philadelphia, the work visually explores the concept of the labyrinth space as a site for cruising and gesture-based desire. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.
Rating:
Genre:Drama
Written By:Tiona Nekkia McClodden
In Theaters:11/15/2017
Box Office:
Runtime:6 minutes
Studio:
Cast
Articles You May Like
2026 Oscar-Winning Short Film: The Singers
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
'Army of the Dead' is Meh Enough Without the Forced Representation
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
“Host:” Quarantine Horror for the Online Generation (Review)
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
V: The Cancelled 2009 Alien Invasion Series Deserved a Proper Conclusion
In 1983, V first debuted as a mini-series. It chronicled the story of alien visitors who arrive on Earth in motherships; they look like us, they talk like us, and they say they are of peace
The 100: Highlighting Humanity’s Successes and Failures in Overcoming Hateful Rhetoric
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.