Young Italian journalist Stefano Andriani travels to Albania, where he falls in love with Eliana, a local girl, and she with him. One day, Andriani comes across the tribal chief Hasslan Haidar, an opponent of King Zog's regime, wounded by the royal guards. He saves him, taking him to his village, and makes a "blood pact" with him, which makes them brothers. Later, the journalist accidentally discovers that the tribal chief is Eliana's brother, and he must therefore give up his plans for marriage. In addition, the chief of police in Tirana tries to exploit the situation to turn Hasslan against Andriani. The arrival of Italian troops, who conquer Albania, resolves everything and allows the misunderstanding to be cleared up.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
This modern update of the beloved classic swaps Cyrano's signature pronounced nose for achondroplasia, for a different vision that still retains the original's essence.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
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A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
