‘The Little Mermaid’: Halle's Musical Debut Rockets to $400+ Million Dollar Box Office
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.

Mweze Ngangura takes us to his native region, Ngweshe, one of he six Bushi kingdoms in the province of Kivu, in Eastern Zaïre. In this region of the Great Lakes, wealth is mesured in heads of cows and in length and breadth of banana plantations. Intermixed with commentaries of the director, are those of the King, Mwami Pierre Ndatabaye Weza III, divulging the daily realities of this traditional African kingdom as it confronts the modern world. The third narrator, Makura, is a storyteller. This guardian of traditional knowledge and collective memory teaches the children the proverbs, customs and mythologies of the region. « The King, the Cow and the Banana Tree » sheds light on the dramatic events unfolding in neighbouring Rwanda, particularly in a prophetic sequence where a seer predicts calamities that will take place in the countries surrounding Ngweshe.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
The external threat invaded the domestic environment at the most valuable moment: grieving.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.