Storm & Starfire Colorism
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
The Killer's Killer
Takeshi Ijuin leaves for Chicago to be a cameraman, and a few years later returns to Japan. But he only learned the technique of homicide in Chicago. When he visits the graveyard with his father to pray at his mother's tomb, his father is shot by someone. Now he thirsts for revenge.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Takeshi Ijuin leaves for Chicago to be a cameraman, and a few years later returns to Japan. But he only learned the technique of homicide in Chicago. When he visits the graveyard with his father to pray at his mother's tomb, his father is shot by someone. Now he thirsts for revenge.
Rating:
Genre:Action
Written By:Kanji Yasumoto, Hajime Takaiwa
In Theaters:
Box Office:
Runtime:80 minutes
Studio:Daiei Film
Articles You May Like
The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Fire Island, Love, and Intimacy | Incluvie Movie Highlights Podcast
The June episode of the Incluvie Movie Highlights provides 3 new and buzzworthy films presenting different types of love: Good Luck to You, Leo Grande with intimacy, Father of the Bride with familial love, and this month's feature - Fire Island, with intimate and romantic love. Movie Critic Melanie Ojwang joins us to discuss Emergency.
The Charmed Reboot Deserves More Respect
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
Power Dynamics, Gender and Sexuality in "Accused" (2026)
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
“The Sun Never Sets” on Male Fragility
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets