Athens, 1964. A police reporter, Nikos Avgeris, has the journalistic mission to cover a suspected car crash that killed a senior state official. His investigation reveals that the victim was responsible for the financial control of a large building organization and that he was being used to cover the illegality of his administration. This organization had abused much of the money earmarked for the erection of homes for homeless war wounded, and is now very much annoyed by the revelations of Augustus. This is why they try to close his mouth, but he is not hurt and continues the investigation. Augustus reaches the end, revealing everything and clearing up yet another dirty affair.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
A young girl who is determined to sail the ocean within 210 days at sea brings an adventurous story for viewers.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
