'The Vigil': To Believe or Not to Believe?
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.

The Jewish antiques dealer Siegfried Rabinovicz is on his way from New York to Hamburg where he is about to testify as the principal witness in a murder case. During a stop-over, an airport hostess talks him into giving up his seat on the connecting flight to another passenger. While Rabinovicz is waiting in the VIP lounge, he gets into a conversation with a stranger who is remarkably well informed about the murder Rabinovicz is going to testify about.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.