"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

Jim Finn, follows a South Korean video artist in North Korea who hopes to revitalize Juche cinema, somewhat inspired by a true story of a South Korean filmmaker kidnapped in the 70s to make the North Korean film industry better. This experimental satire that examines what happens when a South Korean filmmaker sojourns into communist North Korea to breathe new life into that country's flagging, propaganda-driven movie industry. Believing that cinema can prop up North Korea's Juche Idea of self-reliance, mad dictator Kim Jong-Il pulls out all the stops to help the young émigré produce appropriate films.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.
Falling in love with 'Rocketman" all over again.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.