Dracula (2025)’s Yearning for His Lover
Dracula evolved from a person to a monster and then from a monster to a person.

In a quilombo in the backlands of Ceará, Dulce witnesses the murder of her partner, Davi, carried out by gunmen on the orders of a foreign mining company. Threatened, Dulce goes to São Paulo, where she gives voice to the crime that occurred and denounces the involvement of the multinational, with the support of NGOs and lawyers. Orphaned and raised on a mission by sisters, Dulce is sought out in São Paulo by Beatriz, who reveals herself to be her mother. Abandoned as a baby, she also discovers that she has a twin brother, now her sister Marisa, who owns a karaoke bar with a "refuge" spirit, which brings together an LGBTIQ+ audience, a completely new universe for Dulce. Dulce and Marisa demand that Beatriz reveal something about their unknown father and now set off together, back to the backlands, with two missions: to celebrate the victory of the quilombo and to find the father who never knew of his daughters' existence.
Dracula evolved from a person to a monster and then from a monster to a person.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
Emily and Stephanie are back... just add gin and drama.
The Vietnamese perspective is not only completely ignored in 'The Greatest Beer Run Ever', but it is blatantly whitewashed and disrespected.