Gemini Man Review: A Poor Utilization of a Promising Cast
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.

Field of Vision and The New Yorker have created a six-part episodic documentary, filmed in 2015, that immerses us in the Syrian refugee crisis. Matthew Cassel, an independent multimedia journalist and filmmaker based in Istanbul, follows the seven-month, obstacle-laden 1700-mile journey of Aboud Shalhoub, a Syrian refugee who has fled the dangers of wartime Damascus in order to build a better life for his family in the Netherlands. Cassel's colleague Simon Safieh remained in Damascus with Aboud's wife and two children, who eventually join him in Europe.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
This is a film that is going to leave some people bored, and some people thrilled.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
"Clifford the Big Red Dog" retells the adventures of Emily and her striking puppy to highlight the joy of being different and inspire another wave of young fans.
Sailor Moon Crystal wisely makes the decision to adapt Season 4's Dream Arc into an epic anime movie where the Sailor Guardians shine brightest.