Celebrating the Diversity of the 2026 Oscars
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.

Field of Vision and The New Yorker have created a six-part episodic documentary, filmed in 2015, that immerses us in the Syrian refugee crisis. Matthew Cassel, an independent multimedia journalist and filmmaker based in Istanbul, follows the seven-month, obstacle-laden 1700-mile journey of Aboud Shalhoub, a Syrian refugee who has fled the dangers of wartime Damascus in order to build a better life for his family in the Netherlands. Cassel's colleague Simon Safieh remained in Damascus with Aboud's wife and two children, who eventually join him in Europe.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
The film is trying to revive DC's former glory, it really is, it just doesn't have everything it needs to get there. Luckily, Black Adam isn't as bad as many internet haters want you to think it is.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.