No less an admirer than Mozart praised L’Amant jaloux (The Jealous Lover), a comedic masterpiece from the pen of one of France’s greatest classical composers. Pierre-Emmanuel Rousseau’s vivid 2010 period production returns the work to Versailles’s Royal Opera where it premiered, while Jérémie Rhorer and Le Cercle de l’Harmonie bring Grétry’s melodies to life in all of their delectable charm.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Spirited inverts the tropes of the holiday musical genre to update an age-old tale for 2022. It's a paean to those who make grand spectacles possible.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
"The Haunting of Hill House" isn't your typical horror story. Based on a novel by Shirley Jackson, Netflix's masterpiece and limited horror series takes you on a emotional rollercoaster ride, by turning our perception of mental illness on its head. It's an unforgettable story about a loveable family, who grapples with tragedy and love after living at the foreboding Hill House.
