New Movie Releases: April 2021
With the start of the new season we're excited for all of the April new movie releases, some of which our writers here will cover in individual reviews throughout the month.

A Storyville documentary exploring the extraordinary life of Ilich Ramirez Sanchez, better known globally as Carlos the Jackal. The mastermind of some of the most audacious attacks of the 20th century, he has never spoken for himself – until now. From his childhood in Venezuela to his radicalisation, his operations across Europe and the Middle East, and his relationships with some of the era’s most infamous figures – from Colonel Gaddafi to Osama Bin Laden – Carlos speaks with unsettling clarity about his life, past actions and ideology. In this rare and intimate portrait, recorded from the confines of a French high-security prison, where he is serving three life sentences, Carlos shares his story - unfiltered, unapologetic and deeply revealing.
With the start of the new season we're excited for all of the April new movie releases, some of which our writers here will cover in individual reviews throughout the month.
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.