
A young woman who came to Tokyo from a remote village is tricked by the Yakuza and goes through a series of jobs, from hostess to soapland girl to hot spring geisha to stripper, and finally makes a living as a stripper, but gradually loses popularity to a young dancer. For the performance of her life, she visits a gynecologist...
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.