Inside the 'Diary of a Wimpy Kid: Rodrick Rules'
The sequel to the 2010 live-action movie focuses on sibling rivalry.
The Invisible Man Returns (1940)
The owner of a coal mining operation, falsely imprisoned for fratricide, takes a drug to make him invisible, despite its side effect: gradual madness.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
The owner of a coal mining operation, falsely imprisoned for fratricide, takes a drug to make him invisible, despite its side effect: gradual madness.
Rating:
Genre:Horror, Science Fiction
Written By:Curt Siodmak, Lester Cole
In Theaters:1/12/1940
Box Office:
Runtime:81 minutes
Studio:Universal Pictures
Cast
Joe May
Director
Cedric Hardwicke
Richard Cobb
Vincent Price
Geoffrey Radcliffe
Nan Grey
Helen Manson
John Sutton
Dr. Frank Griffin
Cecil Kellaway
Inspector Sampson
Alan Napier
Willie Spears
Forrester Harvey
Ben Jenkins
Ernie Adams
Minor Role (uncredited)
Jimmy Aubrey
Plainclothesman (uncredited)
Walter Bacon
Fight Spectator (uncredited)
Billy Bevan
Jim (uncredited)
Articles You May Like
Throw a Goat For “Trolls: World Tour”
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.
It’s a bird, it’s a plane…it’s "Harriet"!
This is not a story of oppression but a story of liberation.
‘Bruiser’ Is A Gut Punch To The Soul
‘Bruiser’ is an intense drama that explores unresolved childhood trauma and how it can affect the people around us.
Will Begins His Musical Journey in A Week Away
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
Event Horizon: A Cinematic Misfire
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.