The Invaders (2015)

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

The Season 3 finale overall upholds everything that Incluvie is primarily concerned about when it comes to media content

Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom

A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.

Joker is a compelling, character-driven, psychological tale that has a message behind the madness.