“Leviticus” and Leviticus
Like most young people, Leviticus is imperfect. But I love it anyways.

Depicting the events of Mardin-İdil in the late 1980's, the film deals with international migration of Assyrians in the context of "leaving" and "staying", based on the story of an ordinary group. Today, among the 18 people who are narrated, nine live in Germany, seven live in Switzerland and only two people stayed in Turkey. This documentary, while combining the instants, on the other hand explores the memories of the past and today through the present atmosphere and aims to answer these questions: "Is it hard to go? To stay? Or to be together again?"
Like most young people, Leviticus is imperfect. But I love it anyways.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
It's sexy, regardless of what else is going on.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.