All Hail The Queen of Basketball, May She Reign in Peace...and Win An Oscar
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics

Homeless, bullied, and failing out of high school, 18-year-old Jonathon is ready for a big change; maybe. After enduring a lifetime of homelessness and unstable housing with his loving mother and brothers, Jonathon wants to make the transition to a new house and family and all the promise that idea seems to hold. The Avenues for Homeless Youth GLBT Host Home Program matches him up with a queer host family Alex and Mike and their 7-year-old daughter, but as Jonathon finds himself in a middle-class household, he is struck by the culture-clash and haunted by a lifetime of homophobia and poverty. Blaming everything from veggie burgers to school bullying, Jonathon is on the verge of losing it all, until his chosen family and friends intervene. They dare him to get it together--before it's too late. As he struggles to mesh with his new household, stay in school, and be his most authentic self, Jonathon discovers that home is more than four walls, and friendship can transform us.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.
In the spirit of Halloween, here's a list of body horror films which can be interpreted as trans allegories.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?