“Onward” and Upwards!
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.

Salvatore Sebergandio presents aged mafia Hit-Man, (Robert Woods), who is sent to Los Angeles's San Fernando Valley to hang low after a major job, but while in L.A., the Hit Man gets involved with a Witch (Shannah Laumeister Stern) and two Mafia brothers, (Marco and Marcello Cacioppo) who live in a world that blurs reality with fantasy; all for power and wealth; as members of a Hollywood cult are eliminated.
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
While doing research on a fishing boat, a scientist encounters a parasite.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.