In "The Impassive Muse", Adrine is of Armenian descent and has OCD (Obsessive-Compulsive Disorder). Edivaldo is from Pernambuco and suffers from immobilizing absence seizures which make him stand as still as a statue. Adrine is married to Adilson, a brutalized man who do not bear to be touched by the woman. Edivaldo wants to marry Gladis, unlikely aspirant to the fashion world. Adrine don't want to be noticed. Edivaldo need to 'be somedbody' to win back his bride. One morning, the lives of Edivaldo and Adrine cross because of ripe orange. Among historical monuments, sculptures, people of different backgrounds and dreams, Edivaldo and Adrine share a journey of recognition and acceptance without imagining that what they live, in fact is the oldest and necessary of the stories: a love story.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
'Kobra Auto Retrato' chronicles the inspiring journey of Kobra, a world-renowned Brazilian muralist and street artist.
