'Don't Look Up' Wasn't Much to Look Up to
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.
The Image Machine of Alfredo C.
April 1939. Fascist Italy occupies Albania. Thousands of Italian workers, settlers and technicians are transferred to the country. November 1944, Albania is liberated. The new Communist government closes the borders and places dozens of conditions on Italy for the repatriation of its citizens. In 1945 27,000 Italian veterans and civilians were still held in Albania. Among them there is a cameraman, Alfredo C. An operator of the Fascist propaganda effort, he has been traveling around Albania with his movie camera for five years. Before that, for almost two decades, he had immortalised the great machine of the regime. Now, by a twist of fate, being the only cameraman around, Alfredo has been asked to work on behalf of Communist propaganda. Shut up in his storeroom, surrounded by thousands of reels of film, Alfredo watches what he has shot again on an old Moviola. It is his film that we are watching. And perhaps, not his alone.
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April 1939. Fascist Italy occupies Albania. Thousands of Italian workers, settlers and technicians are transferred to the country. November 1944, Albania is liberated. The new Communist government closes the borders and places dozens of conditions on Italy for the repatriation of its citizens. In 1945 27,000 Italian veterans and civilians were still held in Albania. Among them there is a cameraman, Alfredo C. An operator of the Fascist propaganda effort, he has been traveling around Albania with his movie camera for five years. Before that, for almost two decades, he had immortalised the great machine of the regime. Now, by a twist of fate, being the only cameraman around, Alfredo has been asked to work on behalf of Communist propaganda. Shut up in his storeroom, surrounded by thousands of reels of film, Alfredo watches what he has shot again on an old Moviola. It is his film that we are watching. And perhaps, not his alone.
Rating:
Genre:Documentary, Drama, History
Written By:Roland Sejko
In Theaters:
Box Office:
Runtime:76 minutes
Studio:Istituto Luce Cinecittà
Cast
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