The Discreet Insensitivity of ‘Slumberland’
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.

THE ILLUMINATI draws on historical records, footage and photos which take the viewer on a voyage of discovery - it starts with the JFK assassination, through the dark depths of the two Gulf 'Wars', and brings you bang up to date with details of how members of the SKULL & BONES secret society engineered the 2000 and the 2004 U.S. Presidential Elections. This film takes you deep into the forests of Northern California with secretly filmed footage courtesy of ALEX JONES, exposing the Bohemian Club's annual rituals and mock sacrifices - ceremonies which have been attended for years by U.S. Presidents, Vice-Presidents and CEO's from the world's largest corporations. We then voyage deep into the heart of Westminster and expose the fact that Freemasonic temples exist within the House of Commons and that the Queen of England is Grand Patronness of International World Freemasonry.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.