The film depicts the fate of the residents of an apartment block in Prague’s Jewish quarter following the invasion by German troops in 1939. Among them is an elderly widow who had once disowned her son and now wishes to bring him to Brazil; there are also the owners of a stationery shop, who are driven to ruin by the German occupiers. The caretaker Glaser, who is of German descent, also comes under pressure when his son is arrested in a communist pub. To save his own skin, he informs on two young people who are active in the resistance.
Kurt Hoffmann
Director
Edith Schultze-Westrum
Old Woman Kauders
František Filipovský
Old Man Kauders
Ladislav Kríz
Emil Kauders
Wolfgang Kieling
Karl Marek
Rosel Schäfer
Olga Marek
Helmut Schmid
Leutnant Slezak
Walter Taub
Salomon Laufer
Hana Vítová
Mali Laufer
Peter Herrmann
Ernst Laufer
Tamara Kafková
Frieda Laufer
Martin Gregor
Marcel Lederer
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
The movie is centered around the title character who goes on a Christmas adventure.
We all have our kinks and fetishes and what turns us on the most. Dog Lover details a serious (and at times unhealthy) look at a fetish that might go a little too far.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.