Roald Dahl's "Matilda the Musical"
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

Jean just quit her coveted job as an investment banker on Wall Street. After a soul-searching journey traveling around the world, she retreats to an empty vacation home owned by a friend's rich family. She unexpectedly finds herself sharing the place with some former occupants - a cynical college professor, his bitter sister married to a devoted husband, a disgruntled cab driver and a washed-up drifter; all of whom are not even supposed to be there, because they're actually dead. As Jean reluctantly confronts these souls as tormented as herself, they inevitably end up in an entangled mass of secrets and lies... This imaginative thriller roams in an out of the lives of lost souls, weaving reality with the other side.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.