
In the late 1960s, Dhofar rose up against the British-backed Sultanate of Oman, in a democratic, anti-imperialist guerrilla movement. Director Heiny Srour and her team crossed 500 miles of desert and mountains by foot, under bombardment by the British Royal Air Force, to reach the conflict zone and capture this rare record of a now mostly-forgotten war.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
As legal dramas go, we rarely see an African-American actor in the lead role. "The Burial" has several.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.