"Apex" Captures the Primal Fear of Being a Woman
Given a choice between a man and a mountain, it’s safer to choose the mountain.

Sarapee and Pun inherit a beach mansion from Luang Narubal, the husband and benefactor they betrayed and left to die in sorrow. The two now decide to move in and turn the mansion into a hotel in order to make some money. Twenty five years pass. Sarapee is has already died. Her two children from her marriage to Pun, Parinya and Patama, are now grown-ups and return from abroad to look after the hotel. After renovating it, the mystery begins. Deaths occur over and over again, and sometimes Parinya and Pattama witness them. It isn’t long before the only two people left to uncover the mystery and fight to stay alive. Who is this mysterious murderer?
Given a choice between a man and a mountain, it’s safer to choose the mountain.
This reboot of The Wonder Years is told from the lens of a Black man.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.