Cheaper By the Dozen: a 2022 Family-Comedy Remake
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.

Marie (Marlene Jobert) is a pretty female physician who attracts the strong romantic interest of two brothers during World War I in this uninspired drama by Gérard Vergez. The brothers meet her when she is on duty in Turkey -- one brother is stationed there and the other becomes her ambulance driver. Since Marie has just lost her husband in combat, she is not at first open to another relationship but finally begins an affair with the older brother. Jealousy rears its ugly head, and the younger and older brother start to compete for her favors. She is eventually separated from the two brothers after the oldest -- imprisoned for supposed sympathy with the Russians -- is sprung from jail. Marie is later imprisoned herself, and it will be a long time before she is able to find out the fate of those she knew during the days of combat, including the two brothers.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)