Auguste Maroilleur, an elderly farmer, exploits 400 hectares of crop land with the help of his family, over which he rules with an iron hand. Things go awry the day he discovers one of his grandsons is involved in drug traffic. To make matters worse, the reckless youth has hidden the white powder in the Maroilleur farm. Without a moment's hesitation, Auguste gets rid of the toxic substance but, of course, the mob has different views...
Pierre Granier-Deferre
Director
Jean Gabin
Auguste Maroilleur
Danièle Ajoret
Louise, Auguste's Second Daughter
Michel Barbey
Maurice, Louise's Husband
Christian Barbier
Léon, Mathilde’s Husband
Pierre Dux
Investigating Judge
Armando Francioli
Francis Grutti, a Crook
Julien Guiomar
Police Commissioner
Eléonore Hirt
Mathilde, Daughter of Auguste
Reinhard Kolldehoff
Hans
Félix Marten
Marc Grutti, Emissary of the Crooks
Orlane Paquin
Véronique, Daughter of Louise and Maurice
"First Day" is a trans kid slice-of-life tv show that brings desperately needed diversity to coming-of-age stories in mainstream media. Here's a show that get's it right by having a trans actress in a story centered on trans girlhood.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?