Netflix’s “Self Made”: What's Fact and What's Fiction?
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.

The story takes place in the pre-liberation southwestern borderlands, where two well-dressed young men are welcomed on a winding path in the deep mountains. They are Qi Yuanjing and Zhou Luo, spies sent by the police department, disguised as merchants to find out the reality of a group of cunning bandits. As twilight approaches, the two men make their way to the secluded Purple Cloud Taoist Temple. The Taoist master, Shou Jing, shows the two of them in, but the meticulous Qi Yuanjing discovers a series of suspicious things inside the Taoist temple. The Taoist master blinks at the queries raised by Qi. Before long, they saw horrific ghostly figures in a nearby attic. According to the Taoist priest's account, a tragic war once took place here two hundred years ago, so whenever it rained, ghosts would come out and roam around.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.