The Horror (1932)

Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.

Neo Sora left a realistic and yet hopeful notion for the near future and the now.

A man found himself stuck inside the passage to the subway exit on the way to work.

Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.

Chickenhare and the Hamster of Darkness explores true identity through exploration. 

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.