Freakier Friday: Maybe It Was Freaky Enough the First Time?
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.

In the world of the the mushrooms, in the Wild West, the Holy Worm who is the god of the Indians, is being kidnapped by Pedro, the great Mexican who created the secret potion.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
Miley Cyrus makes a revival in this Disney+ documentary on her recent album Endless Summer Vacation.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.