The Hold Up (1972)

‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.

Given a choice between a man and a mountain, it’s safer to choose the mountain.

Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories. 

Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.

Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.